Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel's authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara's daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.
Ademir Kenović
Director
John Turturro
Paolo Zane
Katherine Borowitz
Isabel
Tara Fitzgerald
Clara
Hannah Taylor-Gordon
Victoria
Anton Rodgers
Foscari
Ronald Pickup
Da Monte
Marc Pickering
Andrea Zane
Marianne Borgo
Donna Benveniste
Holly Earl
6 years old Clara
Peter Guinness
Alfonso Salvador
Malcolm Sinclair
Spanish Priest
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Movie explained - Despite the glaring flaws present, Young Adult Matters is held together by the performances from Yoo Mi and Hani, who keep the story afloat. Though an interesting story, Young Adult Matters is worth watching solely for these performances. Among its brilliant performances is a messy, self-indulgent, and at times overwhelmingly brutal story with more potential than follow through.