Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Legendary Chinese rebel Fong Sai Yuk (Fei Meng) takes on the Manchu dynasty in this high-octane martial arts actioner. After killing one of the governor's thugs, Fong must not only elude authorities, but also face a deadly assassin. Discovering the governor has murdered his two kung fu brothers, Fong vows to take on the corrupt leader. The film includes a slew of awe-inspiring battles using lethal Shaolin poles.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
The second season arrives over three years after its first. While late on arrival, most audience members will be happy.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.