Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

In the snowy Giant Mountains at the end of the German occupation, a group of child heroes rescue a downed French pilot. Their actions resemble the principle of the well-known 'telephone game' – the pilot is passed between mountain villages like a secret message – secret delivery – at school. But the children play a highly risky game. They are confronted by deadly soldiers of the occupying army, they must outwit traitors and informers and, last but not least, survive in the harsh conditions of winter in the mountains.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.