The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

In the last years of the Manchu dynasty: After the murder of the revolutionary Yue Sheng, his two sons are separated. Years later, Yue Feng becomes a rebel leader against the Manchu, but his brother Yue Donghua becomes a bodyguard for his fathers killer, without knowing it.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
A family drama is woven with quiet yet powerful forces of words and nature.
'Zero Refills' highlights the despicable treatment of the less fortunate by healthcare providers and big pharmaceuticals.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.