"In a Whisper" Explores Family Bonds
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.
Södrans Revy
Naima Wifstrand, leading old lady, dressed as a Primadonna presents the variety revue "The Old, Happy 40's", a dark time of angst, depression and derailed, wild happiness. Those were the days. Music, dance, songs and hillarious sketches follow.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Naima Wifstrand, leading old lady, dressed as a Primadonna presents the variety revue "The Old, Happy 40's", a dark time of angst, depression and derailed, wild happiness. Those were the days. Music, dance, songs and hillarious sketches follow.
Rating:
Genre:Music
Written By:Harry Martinson, Kar de Mumma
In Theaters:
Box Office:
Runtime:85 minutes
Studio:Sandrews
Articles You May Like
The Lasting Impression of “One Night in Miami”
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
Olivia Rodrigo's 'driving home 2 u': How She Became Well-Recognized in the World
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
I'm a Friend Of Dorothy - Judy Garland as a Gay Icon
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.
"Coven of Sisters": Church vs. Women
"The Father" is a Depressing But Insightful Look at Dementia
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.