'Ariana Grande: Excuse Me, I Love You'
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.

Tokitome Matsumoto, a man with the ability to stop time, is hiding out in the high-class residential area where he lives near a beautiful married woman who seems to be addicted to sex.After time stops, he has sex with her, and no matter what she does, she has no recollection of it, so it's a crime. That's not true. You can't press charges because there's no victim. What are you saying? It's funny how a happy-looking married woman is raped endlessly for a long time. It's so much fun.
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.