The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK's most dangerous prisons. Based on Thompson's book of the same name, the project stars James D'Arcy (Master & Commander), Noel Clarke (Kidulthood), Frank Harper (The Football Factory), Jamie Foreman (Layer Cake), Andrew Shim (This Is England) and Kate Magowan (Stardust). The story revolves around former soldier Sam Norwood who takes a job as a prison officer when he returns from Iraq and becomes exposed to the underworld of prison culture - including corrupt guards and drug trafficking.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
