One of the girls in a rock band is fired from the band. She is, in reality, a witch, and possesses the body of the girl who replaces her in order to take revenge on the rest of the band.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
