Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

1985: The outbreak of nuclear war drives the inhabitants of a small town into a bunker. Among them is a married couple whose son is missing. Their different ways of dealing with loss reveal the apocalypse of a love affair.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
The Olivia Wilde renaissance is upon us.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.