Scare 

Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time

He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?

What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.

I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.