Revisiting Lady Bird - Now on Netflix
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.

Dono, Kasino, and Indro (played by the Warkop Trio) are hired as puppet ballet dancers. Their jokes and fighting stunts, delight the audience. But soon after, Gozal, a real estate businessman acquires the land, where the puppet ballet building sits on. The dispute over the land and its certificate becomes the film’s satire. Finally, Dono and friends challenge the champions of Gozal to a boxing match.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
A socially conscious film that draws attention to the plight of American military veterans.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.