The Lion King (2019) — Did Disney actually learn anything?
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"

A lost film. "The Young Fellow"(Fairbanks), has recently been hired as a cub newspaper reporter for the New York Herald. His editor tasks him with unearthing "the facts concerning a scheme to defraud a group of minor stockholders in the town of Melford. Unless certain papers in the possession of an old bachelor(Neill) are delivered to a board meeting, the villainous financier(Campeau) will win complete control of a local company, and the stockholders will lose their investments. The Young Fellow enlists the help of his spinster landlady(Chapman) and the old bachelor's beautiful secretary(Daw) to thwart the evil millionaire.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Two Korean sisters must save their family after a ghost tears the family apart.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.