Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Seth Dhanpath Rai (Sanjeev Kumar) is the country's most powerful smuggler who is surrounded by his fortress of power and money. Then one fine day, his daughter Sonia (Poonam Dhillon) falls in love with Ravi Malhotra (Shashi Kapoor), a police officer and wants to marry him. Dhanpath Rai very soon realizes that his son Vicky (Randhir Kapoor) has also taken a path that goes against the one he travels. Vicky has been engaged with a pretty but poor girl (Swaroop Sampat). Now the question begins to haunt Seth Dhanpat rai - "What is more important? His children's happiness or what he is, i.e. power and money.". Dhanpath Rai's question is answered soon. At the end Seth Dhanpath Rai finds true wealth in his life.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.