A corrupt General plans on smuggling one million US dollars out of the Banana Republic he dominates. Local revolutionaries plan on stealing the cash but are thwarted when a bandit leader they are working with double crosses them. A tough cop and her boyfriend help two of the female revolutionaries escape from prison hoping that they will lead them to the cash, which they plan on keeping for themselves.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
