The Clades Take a Journey Into a Strange World
The Legendary Clades - a family of explorers - find themselves in a strange new world with fantastic creatures awaiting them. Perhaps their greatest challenge will be healing the ties that bond.

It’s 1941, and China has become a wartime intelligence battlefield. Actor Jean Yu returns to Shanghai, ostensibly to appear in the play “Saturday Fiction,” directed by her former lover. But what is her true aim? To free her ex-husband? To gather intelligence for the Allied forces? To work for her adoptive father? Or to escape from war with her lover? As she embarks on her mission, with friends ever more difficult to distinguish from undercover agents, Jean Yu starts to question whether to reveal what she has learned about the imminent Pearl Harbor attack.
The Legendary Clades - a family of explorers - find themselves in a strange new world with fantastic creatures awaiting them. Perhaps their greatest challenge will be healing the ties that bond.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Intergenerational friendships and community can be so powerful, and this was a great example.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen