Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

In the Islamic tradition, when a person is buried and the binding of their cover cloth is not released, the dead will become a ‘pocong’ ghost (mythical ghost of the dead who can jump around). Another belief is that if you have unpaid debts, a cat will jump over your dead body and you’ll become a ghost. Joyoprono, a rich landlord and a loan shark, who was greedy during his life dies when a tree falls on him. After his death, a ‘pocong’ ghost comes to the village and disturbs the peace.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
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These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.