Disney’s "Soul": An Exploration Of Identity
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.

Davy Kotowski is a petty officer aboard submarine HMS Wolverine. Following a rigged arm-wrestling contest, half the crew are in slings. Kotowski is then brought before the Captain, Alec McCleod for the ninth time. He is sentenced to denial of shore leave and 20 hours laundry duty, most of which he delegates to his bunkmate Chris Cheese. Kotowski then plots his revenge on Lionel Pinner and Cheese ends up having a £100 grudge darts match with Pinner on Kotowski's behalf. Meanwhile McCleod's watch has gone missing.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.