Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Lisbon's traditional Saint Anthony's Weddings have hit rock bottom. At least, that's what Stardust, a major French multinational poised to take over the event, believes. Carmo and Valentim, two Lisbon City Hall employees who have spent more than 25 years organizing the celebrations, are given a harsh ultimatum: reinvent the event and turn it into a modern success, or lose their jobs. Directed by the filmmaker behind The Gilded Cage, Saint Anthony is a vibrant comedy and a heartfelt love letter to Lisbon. A celebration of human connection, identity, and cultural resilience in an increasingly globalized world.
Not every silence is empty. Some are filled with things too heavy for words.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.