"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

The Duchess, the aunt of Red Ryder, comes to town to protect her property. Crawford, a town big-shot behind an outlaw gang, tries to prevent her from reaching her destination, but the attack is thwarted by Red. The latter is made town marshal, and when he gets too close to the truth and is making it too hot for the Crawford faction, Crawford has his henchman Luke kidnap Red's Indian friend Little Beaver.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.