Riding toward Santa Fe, Tom Crenshaw shoots a bushwhacker who has killed Dad Bates from ambush. Discovering a money belt on Bates, Tom carries it to town, along with a letter he finds in the pocket of the killer, which offers him the means of identifying either of the dead men. In town, Tom has a run-in with gunman One-Shot Morgan and one of Morgan's henchmen sees Tom with the money belt. Tom poses as the renegade who did the killing and is accepted by Morgan and his gang. Tom's plan is working until one of the gang who knew the killer shows up and denounces him as an impostor.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
