“Hunter”: When Enthusiasm and AI Aren’t Enough for a Coherent Story
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
Sans forme de politesse : Regard sur la mouvance Dieudonné
Dieudonné admits it himself: he played "the fool," which hasn't stopped him from becoming the symbol of an entire generation born of decolonization, to the point of embarking on electoral adventures. Like Coluche, he is the "man to beat" for all the right-thinking media. Are his sulfurous reputation and provocative humor alone responsible for his popularity?
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Dieudonné admits it himself: he played "the fool," which hasn't stopped him from becoming the symbol of an entire generation born of decolonization, to the point of embarking on electoral adventures. Like Coluche, he is the "man to beat" for all the right-thinking media. Are his sulfurous reputation and provocative humor alone responsible for his popularity?
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Genre:Documentary
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Studio:Clap 36
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