Encapsulating Meisner's 1980 Master Class into eight hours and providing rare insight into his increasingly popular acting style. Essential viewing for film, TV and theatre actors and directors, the Master Class also offers artists of all disciplines the opportunity to learn directly from one of the most important acting theorists and teachers of the 20th century.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
