A motley crew of British characters ride The San Ferry Ann to the shores of France where they embark on a weekend of calamity. The campervan family led by Dad and Mum (David Lodge and Joan Sims) create chaos from the moment they set their tires on the shore resulting in frequent run-ins with the Gendarme, while Lewd Grandad (Wilfred Brambell) finds his own misadventures with a newly acquainted friend, a mad German ex-soldier (Ron Moody). Also aboard for the ride is a saucy hitchhiker (Barbara Windsor) who causes a few heads to turn including that of a fellow traveller (Ronnie Stevens) who pursues her affection with comic results. By the end of this weekend the French may well be wishing to say 'au revoir' to these trouble-making tourists. San Ferry Ann is a humorous take on the tradition of the British get-away. A classic sound effect comedy that sits with the likes of similarly praised titles such as 'The Plank', 'Futtock's End' and 'Rhubarb Rhubarb'.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
