This science-fiction anime was inspired somewhat by the life of Kinshiro Toyama (1793-1855), who was first popularized in the 1893 kabuki play "Toyama no Kinsan."
Atsutoshi Umezawa
Director
Kazuki Yao
Gold Dithersmount(voice)
Ichiko Fujii
Midi(voice)…
Katsuji Mori
Ion Plenmatz(voice)
Osamu Saka
Retklaad Dithersmount(voice)
Michihiro Ikemizu
Ebota(voice)
Yoku Shioya
Ritt(voice)
Yusaku Yara
Giant(voice)
Takeshi Aono
Governor A(voice)
Ichiro Nagai
Governor B(voice)
Masaharu Sato
Governor C(voice)
Yasuo Tanaka
Governor D(voice)
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.