Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

At age 24, Rémi Bonnet, brilliant pianist, abandons Chopin and Toulouse to play the music he has secretly loved for years - Salsa! He heads for Paris, the salsa capital of Europe, only to discover to his great surprise, that nobody wants a white boy in Latin band! Felipe, his Cuban friend, sets him straight: " You don't have the Latino look, muchacho! Today, if your are not Cubano or Columbiano, you are out!". Undaunted, Rémi deliberately takes on the identity, accent and complexion of an unemployed alien in a city where most foreigners will do almost anything to become French. Barreto, 75, the legendary Cuban composer, who is about to close down the once famous Casa Cubana, offers Rémi a job giving dance lessons to the locals. It is here that Rémi falls in love with Nathalie. Her family's "secrets and lies" reveal parental links to Barreto. Do these links explain why this shy beauty ought to be a bomb on the dance floor?
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
'Zero Refills' highlights the despicable treatment of the less fortunate by healthcare providers and big pharmaceuticals.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?