
Eligio and Domingo are two older adult lovers who live out their sexuality in the anonymity and safety offered at the traditional "Baños Finisterre." However, due to the COVID-19 pandemic, they were forced to close their doors. From then on, their paths diverge forever, until two years later when Eligio receives an unexpected visit from Domingo in the “Salon Rojo.” A magical space full of memories that stayed frozen in time.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.