14-year-old Grasshoppers gang member Djibril leads a dangerous existence in a Marseille slum, along with his pregnant girlfriend Camilla who belongs to a rival gang, the Crickets. When Djibril is manipulated into killing the young Cricket Mahad, war breaks out. Djibril is haunted by the curse Mahad spat out as he lay dying, and begins to communicate with the spirit world. Convinced that global apocalypse is imminent, he embarks on a crazy plan to flee with Camilla and their unborn child – the only one capable of saving them all from Mahad’s malediction. But the law catches up with him. Now, after 12 years in prison and a secure psychiatric unit, Djibril will do whatever it takes to find his daughter and convince her to fulfil his prophecy.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
