Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

Prakash (Ashok Kumar) is returning home after eleven years from UK, and is now on a train for his journey back home. He meets a young man, also called Prakash (Ramesh Gupta), on the train who befriends him. The train meets with an accident and Prakash loses his memory. While Prakash is wandering around trying to regain his memory, the man from the train thinking that Prakash (Kumar) is dead, pretends to be Prakash and reaches his house.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Chickenhare and the Hamster of Darkness explores true identity through exploration.