'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Born in Roman Britain 1,500 years ago, a young man named Patrick embarked on an extraordinary mission that would change the course of history. Kidnapped from his wealthy Roman-British family and trafficked to Ireland, Patrick endured six years of brutal slavery. But a vision inspired his daring escape, taking him back across the Irish Sea to become a priest. Defying all odds, he then chose to return to Ireland, a decision that would have an enduring effect on the island’s culture and religious life.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.