Surface Level "People We Meet on Vacation" is Still a Fun Time
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.

In this adventure, an American is forced by smugglers to sail his boat from Barcelona to Tangiers. The ruthless fugitives then kill his son, and harm his shipmate, sending the pilot, himself an ex-smuggler into such a rage that he kills two gang members and helps police capture the survivors and bring them to justice.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.