Under the drizzling rain of the bustling Saigon city, a dreamy musician and a hard-headed realistic girl stumble across each other and fall in love. In the face of economic, social, familial, and romantic adversity, they are yet to answer their own questions on how to have a happy life.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
A dynamic journey of self-acceptance and identity.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
