"Snatching trophies? I am a trophy." Trixie Mattel: Moving Parts
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.

The film tells the story of Ferit and Tülin, whose paths cross because of a will. Ferit cannot claim the inheritance left to him by his uncle because he cannot prove it. His uncle's other relatives have divided everything left to Ferit among themselves. Ferit decides to go to Istanbul to find the will. He prepares to set sail in the evening. On the same day, Tülin, who is getting married, discovers that her fiancé has been cheating on her. She leaves a letter for her mother and runs away from home. She hides on Ferit's boat as he sets sail for Istanbul. Ferit, who finds Tülin hiding, mistakes her for a thief. He treats her harshly throughout the journey and makes her do the work on the boat. When they arrive in Istanbul, Ferit learns that his relatives plan to hire a married couple as servants for the mansion. He asks Tülin to help him. Tülin and Ferit, pretending to be married, will try to find the will.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Overall, The Shining is a great film to watch for its atmosphere and setting. While the characters’ portrayals could’ve been more accurate to the book, they’re all still memorable nonetheless.