
In this film, which takes a critical look at the period when Saddam Hussein, the former leader of Iraq who was brutally executed in recent years, was in power, director Gani Rüzgar Şavata's message is: "If soldiers are not robots, if they have become pawns for the supporters of imperialism, Zionism, and fascism, if they do not even recognize the thin line between life and death for people searching for their own identity, then these are Saddam's Soldiers." It is the era of Saddam Hussein in northern Iraq. Many raids are carried out on Peshmerga villages, and torture and suffering are rampant. Despite everything, an unstoppable love quietly blossoms, grows, and strives to survive.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.