Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

Adult children of a Jewish family, dressed up in evening gowns and dinner jackets, are late to a wedding. The order a cab, and in a classical conversation with a driver they discover that he is a neo-Nazi, and such a dim-witted one, that he doesn’t realize who rides in his car and how inappropriate it is to voice his views in their presence. The historical justice would be restored with help of a stiletto shoe, and the optics of a small professional camera gives unexpected dynamics to the witty performances.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.