A police lieutenant and a patriotic professional gambler, rivals in life and love, combine efforts to corner a gang of Nazi saboteurs operating out of a barber shop, in which their mutual girlfriend works, and unmask its secret leader.
Lew Landers
Director
Bruce Bennett
Lieutenant John Cronin
Kay Harris
Edith Cassell
Edward Norris
Eddie Miller
Sidney Blackmer
Carlyle Harrison
George McKay
Charles 'Chuck' Brown
John Tyrrell
John Fuller
Don Beddoe
Police Inspector Hanley
Robert Emmett Keane
Mr. Conrad
Lester Dorr
Middle Barber [script name: Harry]
Eddie Laughton
George, end barber [script name only: Felix]
Max Wagner
Recruiting Sergeant
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.