‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

A dialogue between Ruth's childhood memories and the reports of her father, an evangelical pastor, brings to light details of the story of a resident of the peripheral community of Ceilândia (DF), marked by the violence she suffered from men in her life. Mother of 4 children, Ruth lives with her elderly father, admires him as a pastor but not as a father. His father, known as Zé, recovered from alcoholism and found salvation in the evangelical church. His greatest asset is his certainties and teachings based on the Bible, principles that he tried to follow blindly and pass on, in his own way, to his family. A Fine Line reports deep contrasts between Ruth and the pain of being a woman.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.