In this sold-out performance, Canadian comic Russell Peters skewers racial stereotypes as he offers his audacious take on multiculturalism--including his Indian heritage and culture clashes around the world. Recorded live at Madison Square Garden's WAMU theater and broadcast on Showtime, this stand-up concert is not to be missed. Red, White and Brown is the second stand-up comedy album by Canadian comedian Russell Peters, recorded at the WAMU Theatre in Madison Square Garden on February 2, 2008.[3] The CD/DVD was released in Canada on September 30, 2008, and in the U.S. on January 27, 2009, debuting at #3 on the Canadian Albums Chart.[4] The hip hop theme music was produced by Marco Polo, and legendary MC Melle Mel introduced Peters to the stage.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
A story of a magical dragon brings great representation for Chinese culture.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
