A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

Following the success of Rush: Cinema Strangiato - Director's Cut in movie theaters worldwide, Anthem Entertainment and Trafalgar Releasing give Rush fans around the world the opportunity to experience it again – this time from the comfort of home. In celebration 40 years of Moving Pictures, this global streaming release features the “director’s cut” of 2019's R40+ event that was just shown in cinemas, giving audiences a special look into R40 LIVE, with a setlist including this year’s new additions of bonus tracks "One Little Victory" and “Red Barchetta” as well as "Cygnus X-1 / “The Story So Far” featuring Neil's final recorded drum solo masterpiece.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
It’s dark, uncomfortable, and there are things that don’t make sense.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.