It's 1961. Two servicemen smuggle a box of military gear to USA. Leroy tries out a military camera and accidentally takes a picture of some military facilities. Army finds one of the pictures and thinks they're communist spies.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
This is a film that is going to leave some people bored, and some people thrilled.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
This live-action Barbie movie brings strong feminism and topics about blondes.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
