
The dull daily routine of an insurance agent, who listlessly drives down the highway every day and conducts customer meetings while longing for his family, becomes a metaphor for a life that has come to a standstill and is threatened with being crushed by loneliness.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
YouTube surpasses Netflix but there is more to the story.