The Love Triangles in 'Tall Girl'
In Tall Girl, Jodi learns to stand tall and find confidence within.

To run away from your home, because your brother stole the money you collect to buy a camera. To let in your car the first person with trouble on the road, to kiss his girlfriend and to find a watch in your pocket, which was a reason for murder. To fall in love into a nice blond girl, who is searching for the killer of her mother. To be chased my a local thug who blows up your cheap car with old tires. To find out that instead of being a truck driver in Canada, your brother was in jail. To see the barrel of a gun, pointing at your forehead and your last scream to be "RUN".
In Tall Girl, Jodi learns to stand tall and find confidence within.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.