RUMO recalls the trajectory of the São Paulo homonymous group that wrote a fascinating chapter of Brazilian musical history, especially in the 80's. Filled with humor, irreverence and language experiments - fundamental characteristics of the group - the film discusses musical creation and cultural production, as well as the effervescent cultural panorama of São Paulo city of the 1980s.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
