Fragments of spaces, buildings and structures, memories and remains of past eras, places of work or leisure now inhabited by our memories alone, or really forgotten. Dead things or living proof of time, natural elements, and human predators themselves.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
