The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

A documentary account of the five-week visit of Princess Elizabeth and the Duke of Edinburgh to Canada and the United States in the fall of 1951. Stops on the royal tour include Québec City, the National War Memorial in Ottawa, the Trenton Air Force Base in Toronto, a performance of the Royal Winnipeg Ballet in Regina and visits to Calgary and Edmonton. The royal train crosses the Rockies and makes stops in several small towns. The royal couple boards HMCS Crusader in Vancouver and watches Native dances in Thunderbird Park, Victoria. They are then welcomed to the United States by President Truman. The remainder of the journey includes visits to Montreal, the University of New Brunswick in Fredericton, a steel mill in Sydney, Nova Scotia and Portugal Cove, Newfoundland.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
"Thunder Road" presents the grief that comes from a family member taking their own life.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.