“Wild Horse Nine” Made Me Cry
There is no aspect of this film that falls short, except perhaps in minor ways.

In 1936, Hungary’s championship team, escorted by their captain, Count Szirmay, retreats to a lakeside villa after a triumphant win in London, only to discover that a runaway English bride, Gingi Cheswick, has stowed away among them. Tasked with returning her home, serious young Gyurka Károlyi finds himself reluctantly drawn to her, while the team’s prankster Blazsek engineers a series of comic mishaps. Reunited under the strict watch of a girls’ institute and pursued by Gingi’s determined father, Gyurka and Gingi must navigate misunderstandings and rival suitors. Their story culminates on the playing field, where Gyurka’s unexpected heroics secure both a sports victory and the approval needed for their romance.
There is no aspect of this film that falls short, except perhaps in minor ways.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
A socially conscious film that draws attention to the plight of American military veterans.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.