Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

In 1936, Hungary’s championship team, escorted by their captain, Count Szirmay, retreats to a lakeside villa after a triumphant win in London, only to discover that a runaway English bride, Gingi Cheswick, has stowed away among them. Tasked with returning her home, serious young Gyurka Károlyi finds himself reluctantly drawn to her, while the team’s prankster Blazsek engineers a series of comic mishaps. Reunited under the strict watch of a girls’ institute and pursued by Gingi’s determined father, Gyurka and Gingi must navigate misunderstandings and rival suitors. Their story culminates on the playing field, where Gyurka’s unexpected heroics secure both a sports victory and the approval needed for their romance.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
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