Wednesday Addams
The iconic title character stars in her own horror and gothic TV series.

Ballad Hits: "A Thing About You", "It Must Have Been Love", "Listen to Your Heart", "Fading Like a Flower (Every Time You Leave)", "Spending My Time", "Queen of Rain", "Almost Unreal", "Crash! Boom! Bang!", "Vulnerable", "You Don't Understand Me", "Wish I Could Fly", "Anyone", "Salvation", "Milk and Toast and Honey" / Pop Hits: "Opportunity Nox", "The Look", "Dressed for Success", "Dangerous", "Joyride", "The Big L.", "Church of Your Heart", "How Do You Do!", "Sleeping in My Car", "Run to You", "June Afternoon", "Stars", "The Centre of the Heart (Is a Suburb to the Brain)", "Real Sugar" / Extras: "Neverending Love", "Soul Deep", "I Call Your Name", "Chances", "(Do You Get) Excited?", "Fingertips ’93", "Fireworks", "She Doesn't Live Here Anymore", "Un día sin ti" / Documentaries: The Making of Joyride (50 minutes behind the scenes), Really Roxette (1 hour road movie from 1995)
The iconic title character stars in her own horror and gothic TV series.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
A new chapter for the Predator Franchise, Prey(2022), brings an action-packed film of two hunters going against one another to prove their worth in the hunt.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Sam Levinson's latest film can't keep up with the excellence of its performances.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.