"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Rowena, an overworked and underpaid convenience store worker, has not been feeling well lately. She has a lot of bills to pay, her inconsiderate boss has been consistently delayed in giving her salary and the customers are just rude in general. With a lot of these external pressures coming together, she will be forced to unlock her unexpected alter-ego as a defense mechanism. An intense amount of rage and frustration will be released throughout her overnight shift. All hell breaks loose and anyone can be collateral damage.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Emily and Stephanie are back... just add gin and drama.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.