The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Rotpunkt documents the advent, the agony and the art of the redpoint through Alex Megos’s efforts to redefine the boundaries of the form. The film traces the redpoint—which transformed rock climbing from an engineering problem into a brilliant test of mental and physical strength—from its origins with a ragtag bunch of tights-wearing revolutionaries in rural Bavaria, to its golden era with Wolfgang Güllich, to its new ideal in the German phenom Megos as he battles to unlock new levels of human potential.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.