Disney’s "Soul": An Exploration Of Identity
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.

In the silence of her house, a woman washes herself, cooks, eats, watches television, seeks company and smokes alone by the window.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
This reboot of The Wonder Years is told from the lens of a Black man.