"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Nicky, a young ambitious and confident pure blooded motorcyclist. He always puts his life on the line while racing, not for the money but for kicks, respect and fame. When he gets into an accident, his world crumbles apart, not sure whether he’ll ever be able to race again. He has trouble accepting this new life and turns to his sister-in-law Vero and her son Charlie to start over. But the adrenaline junkie inside him rears his ugly head and Nicky tries relive his dream by coaching his nephew Charlie. It quickly becomes clear though, that they’re not cut from the same cloth.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The trainwreck is hot but tame.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.